{"id":25076,"date":"2026-07-05T18:14:03","date_gmt":"2026-07-05T16:14:03","guid":{"rendered":"https:\/\/lutineetcie.com\/isabellebroue\/?page_id=25076"},"modified":"2026-07-05T18:15:12","modified_gmt":"2026-07-05T16:15:12","slug":"filmmaker","status":"publish","type":"page","link":"http:\/\/lutineetcie.com\/isabellebroue\/cineaste\/filmmaker\/","title":{"rendered":"Filmmaker"},"content":{"rendered":"\n\n\t\nA graduate of La F\u00e9mis &#8211; the French national film school &#8211; (1994), Isabelle Brou\u00e9 has spent thirty years exploring the mechanics of desire and the territories of the intimate. From her master&rsquo;s thesis on Ernst Lubitsch (<em>The \u00ab\u00a0Unsaid\u00a0\u00bb or the Dramatic Virtue of Irony<\/em>), she has placed humor and the subtlety of the unspoken at the heart of her storytelling.\n<p>Her work has taken her to the Directors&rsquo; Fortnight at Cannes (<em>\u00c0 corps perdu &#8211; Boundless<\/em>), a TV film for Arte&rsquo;s \u00ab\u00a0petite cam\u00e9ra\u00a0\u00bb series (<em>Paris-Deauville<\/em>), and theatrical release with the success of <em>Tout le plaisir est pour moi (The Pleasure Is All Mine)<\/em>, followed by the singular adventure of <em>Lutine<\/em>, which she produced and distributed herself.<\/p>\n<h2><strong>Filmography<\/strong><\/h2>\n2018 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/synopsis\/\">Lutine<\/a><\/em> &#8211; Feature film (Best Film and Best Screenplay awards, VIWIFF, Vancouver International Women in Film Festival, 2017)<br \/>\n2004 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/tout-le-plaisir-est-pour-moi\/\">Tout le plaisir est pour moi<\/a> (The Pleasure Is All Mine) <\/em>&#8211; Feature film (200,000 admissions in France)<br \/>\n2000 : <a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/paris-deauville\/\"><em>Paris-Deauville<\/em><\/a> &#8211; TV film for Arte (Lauriers du S\u00e9nat, Best First Fiction Work)<br \/>\n2000 : <a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/a-corps-perdu\/\"><em>\u00c0 corps perdu<\/em><\/a> (<em>Boundless<\/em>) &#8211; Short film, 27 min (Directors&rsquo; Fortnight, Cannes)<br \/>\n1998 : <a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/les-jours-bleus-1998\/\"><em>Les Jours bleus<\/em><\/a> (<em>Blue Days<\/em>) &#8211; Short film, 25 min (Best Performance award, C\u00f4t\u00e9-Court)<br \/>\n1995 : <a href=\"https:\/\/images.cnrs.fr\/video\/199\">Henri Cartan, une vie de math\u00e9maticien<\/a> &#8211; Documentary, 52 min (CNRS)<br \/>\n1994 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/presse-citron-1994\/\">Presse-citron<\/a><\/em> (<em>Vanilla-Lemon<\/em>) &#8211; Short film, 16 min (La F\u00e9mis graduation film)<br \/>\n1993 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/chocolat-amer-1993\/\">Chocolat amer<\/a> (Bitter<\/em> <em>Chocolate<\/em>) &#8211; Short film, 9 min (La F\u00e9mis, 35mm)\n<h2><strong><br \/>\nProject in Development<\/strong><\/h2>\n<p><em><strong>Une histoire d&rsquo;amour(s)<\/strong> <\/em>&#8211; Comedy of manners<\/p>\n<p><em>Two couples of friends venture into open relationships&#8230; and turn their lives into a joyful minefield.<\/em><\/p>\n<p>Nathalie and Vincent, in their fifties, twenty years together. At a party, their solid equilibrium begins to crack. Nathalie discovers the idea of an open relationship &#8211; and confides in Vincent, who assures her she is free&#8230; as long as he doesn&rsquo;t know the details. Under the bewildered eyes of their children, the domestic disorder spirals into glorious chaos.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>A graduate of La F\u00e9mis &#8211; the French national film school &#8211; (1994), Isabelle Brou\u00e9 has spent thirty years exploring the mechanics of desire and the territories of the intimate. From her master&rsquo;s thesis on Ernst Lubitsch (The \u00ab\u00a0Unsaid\u00a0\u00bb or the Dramatic Virtue of Irony), she has placed humor and the subtlety of the unspoken [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":25011,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-25076","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/comments?post=25076"}],"version-history":[{"count":3,"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25076\/revisions"}],"predecessor-version":[{"id":25079,"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25076\/revisions\/25079"}],"up":[{"embeddable":true,"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25011"}],"wp:attachment":[{"href":"http:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/media?parent=25076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}