{"id":25011,"date":"2026-06-24T21:15:45","date_gmt":"2026-06-24T19:15:45","guid":{"rendered":"http:\/\/lutineetcie.com\/isabellebroue\/?page_id=25011"},"modified":"2026-07-05T18:16:42","modified_gmt":"2026-07-05T16:16:42","slug":"cineaste","status":"publish","type":"page","link":"https:\/\/lutineetcie.com\/isabellebroue\/cineaste\/","title":{"rendered":"Cin\u00e9aste"},"content":{"rendered":"\n\n\t\t\t<a href=\"https:\/\/lutineetcie.com\/isabellebroue\/cineaste\/filmmaker\/\" target=\"_blank\" rel=\"noopener\">\n\t\t\t\t\t\t\tEnglish version\n\t\t\t<\/a>\n\t<p>Cin\u00e9aste dipl\u00f4m\u00e9e de la FEMIS en 1994, Isabelle Brou\u00e9 explore depuis trente ans les m\u00e9caniques du d\u00e9sir et les territoires de l&rsquo;intime. D\u00e8s sa ma\u00eetrise consacr\u00e9e \u00e0 Ernst Lubitsch (<em>The \u00ab Unsaid \u00bb or the Dramatic Virtue of Irony<\/em>), elle place l&rsquo;humour et la subtilit\u00e9 du non-dit au centre de sa narration.<\/p>\n<p>Son parcours passe par la Quinzaine des Cin\u00e9astes (<em>\u00c0 corps perdu<\/em>), une \u00ab petite cam\u00e9ra \u00bb pour Arte (<em>Paris-Deauville<\/em>) et les salles de cin\u00e9ma avec le succ\u00e8s de <em>Tout le plaisir est pour moi<\/em>, puis l&rsquo;aventure singuli\u00e8re de <em>Lutine<\/em>, qu&rsquo;elle a produit et distribu\u00e9.<\/p>\n<h2><strong>Filmographie<\/strong><\/h2>\n2018 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/synopsis\/\">Lutine<\/a><\/em> &#8211; Long m\u00e9trage (Prix du Meilleur Film et Prix du Meilleur Sc\u00e9nario au VIWIFF, Vancouver International Women in Film Festival, 2017)<br \/>\n2004 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/tout-le-plaisir-est-pour-moi\/\">Tout le plaisir est pour moi<\/a><\/em> &#8211; Long m\u00e9trage (200 000 entr\u00e9es France)<br \/>\n2000 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/paris-deauville\/\">Paris-Deauville<\/a><\/em> &#8211; T\u00e9l\u00e9film pour Arte (Lauriers du S\u00e9nat de la Meilleure Premi\u00e8re \u0152uvre de Fiction)<br \/>\n2000 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/a-corps-perdu\/\">\u00c0 corps perdu<\/a><\/em> &#8211; Court m\u00e9trage, 27 mn (Quinzaine des Cin\u00e9astes)<br \/>\n1998 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/les-jours-bleus-1998\/\">Les Jours bleus<\/a><\/em> &#8211; Court m\u00e9trage, 25 mn (Prix d&rsquo;interpr\u00e9tation \u00e0 C\u00f4t\u00e9-Court)<br \/>\n1995 : <em><a href=\"https:\/\/images.cnrs.fr\/video\/199\">Henri Cartan, une vie de math\u00e9maticien<\/a><\/em> &#8211; Documentaire, 52 mn (CNRS)<br \/>\n1994 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/presse-citron-1994\/\">Presse-citron<\/a><\/em> &#8211; Court m\u00e9trage, 16 mn (FEMIS, film de fin d&rsquo;\u00e9tudes)<br \/>\n1993 : <em><a href=\"http:\/\/lutineetcie.com\/lutinelefilm\/comedie\/realisatrice\/chocolat-amer-1993\/\">Chocolat amer<\/a><\/em> &#8211; Court m\u00e9trage, 9 mn (FEMIS, 35 mm)\n<h2><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/lutineetcie.com\/isabellebroue\/wp-content\/uploads\/2026\/06\/Banniere_6.Banniere-Lutine-300x55.png\" alt=\"\" width=\"556\" height=\"102\" \/><\/h2>\n<h2><strong><br \/>\nProjet en d\u00e9veloppement<\/strong><\/h2>\n<strong><em>Une histoire d&rsquo;amour(s)<\/em><\/strong><br \/>\nCom\u00e9die de m\u0153urs\n<p><em>Deux couples amis se risquent aux relations plurielles&#8230; et transforment leur vie en un joyeux champ de mines.<\/em><\/p>\n<p>Nathalie et Vincent, la cinquantaine, vingt ans de vie commune. Lors d&rsquo;une f\u00eate, leur bel \u00e9quilibre se fissure. Nathalie d\u00e9couvre le couple ouvert &#8211; et s&rsquo;en confie \u00e0 Vincent, qui l&rsquo;assure qu&rsquo;elle est libre&#8230; du moment qu&rsquo;il n&rsquo;en sait rien. Sous l&rsquo;\u0153il m\u00e9dus\u00e9 de leurs enfants, le d\u00e9sordre parental vire au grand n&rsquo;importe quoi.<\/p>\n<p>&nbsp;<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>English version Cin\u00e9aste dipl\u00f4m\u00e9e de la FEMIS en 1994, Isabelle Brou\u00e9 explore depuis trente ans les m\u00e9caniques du d\u00e9sir et les territoires de l&rsquo;intime. D\u00e8s sa ma\u00eetrise consacr\u00e9e \u00e0 Ernst Lubitsch (The \u00ab Unsaid \u00bb or the Dramatic Virtue of Irony), elle place l&rsquo;humour et la subtilit\u00e9 du non-dit au centre de sa narration. Son [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-25011","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/comments?post=25011"}],"version-history":[{"count":16,"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25011\/revisions"}],"predecessor-version":[{"id":25082,"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/pages\/25011\/revisions\/25082"}],"wp:attachment":[{"href":"https:\/\/lutineetcie.com\/isabellebroue\/wp-json\/wp\/v2\/media?parent=25011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}